The C
The C
1
is
now
the
mission
of
the
hero,
Cooper,
to
pilot
a
spaceship
through
the
wormhole
and
find
which
planet
is
more
suitable
for
providing
humanity
a
new
home
off
the
dying
Earth.
Wormholes
arise
as
mathematical,
idealized
solutions
of
the
equations
of
general
relativity
that
describe
the
shape
of
space-‐time
generated
by
a
black
hole.
Their
description
can
be
made
pictorial
by
a
technique
called
embedding.
As
the
name
suggests,
the
game
is
to
visualize
the
shape
of
a
given
space
by
embedding
it
in
a
space
with
an
additional
dimension.
The
mapping
is
useless
for
the
full
4-‐dimensional
space-‐
time
of
general
relativity,
as
it
would
have
to
be
embedded
in
a
5-‐dimensional
space,
which
is
impossible
to
visualize.
But
in
the
case
of
a
non-‐rotating
black
hole,
the
space-‐
time
geometry,
described
by
the
Schwarzschild
metric,
remains
fixed
at
all
times
;
furthermore,
due
to
spherical
symmetry,
no
information
is
lost
by
looking
only
at
equatorial
slices
passing
through
the
center
of
the
sphere.
It
then
becomes
easy
to
visualize
all
the
details
of
the
curvature
of
the
Schwarzschild
geometry
as
a
2-‐
dimensional
surface
embedded
in
the
usual
3-‐dimensional
Euclidean
space.
The
result
comes
to
a
surprise
:
the
embedding
surface
consists
of
a
paraboloid-‐shaped
throat
linking
two
distinct
sheets
of
space-‐time.
Ludwig
Flamm
discovered
the
paraboloid
shape
as
soon
as
1916,
and
Albert
Einstein
and
Nathan
Rosen 2
first
studied
the
Schwarzschild
throat
in
1935.
It
has
a
minimum
radius
equal
to
the
Schwarzschild
radius
r
=2GM/c2,
where
M
is
the
mass
of
the
black
hole,
G
the
gravitational
constant
and
c
the
speed
of
light
:
it
corresponds
to
the
event
horizon
–
the
immaterial
frontier
of
the
black
hole
–
reduced
to
a
circle.
For
a
typical
stellar
black
hole
with
M
=
10
solar
masses,
we
get
r
=
30
km.
It
is
the
size
assumed
in
Interstellar.
The
Schwarzschild
throat
(also
called
the
Einstein-‐Rosen
bridge)
joins
the
upper
and
lower
sheets
which
are
perfectly
symmetrical,
and
which
we
are
at
liberty
to
interpret
as
«
parallel
universes
».
In
other
words,
the
throat
appears
to
the
upper
universe
like
a
black
hole
consuming
matter,
light
and
energy,
but
for
the
lower
universe
it
appears
as
a
«
white
fountain
»
expelling
matter,
light
and
energy.
Now,
general
relativity
determines
only
the
local
curvature
of
the
space-‐time,
and
not
its
global
shape.
In
particular,
it
allows
the
two
distinct
sheets
to
be
different
regions
of
the
same
universe.
We
have
now
a
black
hole
and
a
white
fountain
in
the
same
space-‐
time
at
an
arbitrary
distance
from
each
other,
but
linked
by
a
stretched-‐out
throat,
baptized
wormhole
by
John
Wheeler
in
1957
(Wheeler
also
coined
the
term
«
black
hole
»,
but
only
ten
years
later).
We
can
figure
out
a
wormhole
like
a
tunnel
with
two
ends,
each
in
separate
points
in
space-‐time,
and
that
tunnel
would
work
as
a
shortcut
to
travel
through
space
and
time.
For
example,
Charles
Misner3
found
a
solution
of
the
wormhole
equations
allowing
to
travel
from
the
solar
system
to
the
nearest
star,
Proxima
Centauri,
located
at
4.2
light-‐years,
in
a
time
shorter
than
4.2
years,
however
without
exceeding
the
speed
of
light.
Now,
coming
back
to
the
Interstellar
story,
two
major
problems
arise.
First,
there
is
no
wormhole
without
a
black
hole.
Second,
is
a
wormhole
traversable,
and
can
it
be
really
used
by
a
spaceship
to
travel
in
space-‐time
?
For
the
first
one,
there
are
clearly
several
scientific
caveats
in
the
scenario.
The
most
common
black
holes
are
formed
by
the
gravitational
collapse
of
massive
stars,
and
consequently
have
a
few
solar
masses.
According
to
the
Schwarzschild
formula
given
above,
their
radius,
and
consequently
that
of
their
putative
wormhole,
is
of
order
of
a
few
kilometers
only,
and
the
tidal
forces
they
generate
(see
below)
are
so
huge
that
any
spaceship
or
astronaut
would
be
torn
apart
at
a
distance
of
several
thousands
kilometers,
i.e.
well
before
being
able
to
reach
the
event
horizon
and
penetrate
it.
2
Besides,
since
about
one
star
over
10,000
is
massive
enough
to
generate
a
black
hole,
the
latter
are
pretty
rare
:
it
is
estimated
that
the
average
density
of
stellar
mass
black
holes
in
our
region
of
the
Milky
Way
is
of
the
order
of
0.00001
per
cubic
light
year.
It
would
thus
be
extraordinarily
improbable
that
a
stellar
black
hole
is
so
close
to
us.
And
even
if
it
were
so,
at
the
distance
of
Saturn,
its
huge
gravitational
field
would
completely
destroy
the
stability
of
our
solar
system
!
It
is
the
reason
why
the
Nolan’s
brothers
have
taken
a
pure
science-‐fiction
option
:
the
wormhole
near
Saturn
has
been
artificially
created
by
a
very
advanced
civilization,
and
placed
there
to
help
humanity
escape
the
solar
system
(at
the
end
of
the
movie,
we
understand
that
these
aliens
were
in
fact
advanced
humans
from
the
future
;
they
created
the
black
hole
and
its
associated
wormhole
in
the
first
place,
manipulating
time
and
events
so
that
things
had
to
unfold
the
way
they
did).
The
second
problem
is
the
traversability
of
wormholes.
The
calculations
for
a
non-‐
rotating
black
hole,
described
by
the
Schwarzschild
geometry,
show
that
the
wormhole
is
«
strangled
in
the
middle
»
by
the
infinite
gravitational
field
of
a
singularity
located
at
the
center
r=0,
so
that
nothing
can
pass
through
it.
However,
natural
black
holes,
like
stars,
must
be
rotating,
and
it
that
case
the
geometry
is
much
more
subtle
and
complex
than
the
Schwarzschild
one.
It
is
described
by
the
Kerr
metric
(as
discovered
in
1962
by
the
new
Zealand
physicist
Roy
Kerr).
And
in
that
case,
the
mapping
technique
described
above
for
the
Schwarzschild
geometry
gives
a
much
more
complicated
and
interesting
space-‐time
structure,
investigated
in
the
1960’s
by
Brandon
Carter
(my
former
PhD
advisor)
and
Roger
Penrose4.
First
of
all,
the
central
singularity
is
no
more
reduced
to
a
central
point
at
r=0,
but
has
the
shape
of
a
ring
lying
in
the
equatorial
plane
of
the
rotating
black
hole.
As
a
consequence,
the
ring
no
more
defines
an
edge
of
the
space-‐
time
geometry,
because
a
traveller,
apart
from
the
dangers
of
tidal
forces,
could
come
safely
within
a
hair’s
breadth
of
the
annular
singularity
provided
he
does
not
touch
it,
or
he
can
even
pass
through
it.
The
Penrose-‐Carter
diagrams
suggest
fascinating
possibilities
for
exploration
(see
e.g.
Luminet5).
Allowable
trajectories
show
that
it
is
theoretically
possible
to
penetrate
the
interior
of
a
rotating
black
hole
–
preferably
a
very
large
one,
so
that
the
spaceship
is
not
destroyed
by
tidal
forces
-‐,
fly
above
the
plane
of
the
singular
ring,
and
escape
the
black
hole
by
emerging
into
an
exterior
universe
(which
could
be
topologically
the
same
as
the
starting
one).
Along
other
trajectories,
it
could
also
go
to
the
«
other
side
»
of
the
singularity
by
passing
through
the
ring,
and
emerge
into
a
completely
unknown
universe.
In
such
cases,
Kerr
black
holes
would
have
open
wormholes,
offering
fantastic
possibilities
for
space-‐time
travel
!
Alas,
the
Penrose-‐Carter
diagrams
are
idealized
representations
of
the
space-‐time
structure.
In
the
real
universe,
astrophysical
black
holes,
rotating
or
not,
are
formed
by
physical
processes
such
as
gravitational
collapse,
and
in
that
case,
all
the
general
relativistic
calculations
say
that
wormholes
are
unstable
:
as
soon
as
they
are
formed,
they
would
also
gravitationally
collapse
and
would
be
not
traversable.
But
this
is
not
quite
the
end
of
the
story
:
come
into
play
general
relativistic
calculations
involving
also
quantum
processes.
A
possible
escape
has
been
proposed
in
1988
by
Thorne
and
his
students6
:
wormholes
that
are
laced
with
matter
or
energy
exerting
an
enormous
«
negative
pressure
»
(i.
e.
a
repulsive
tension)
could
be
stable
and
traversable.
Such
forms
of
matter
or
energy
are
called
«
exotic
».
It
happens
that,
in
the
framework
of
quantum
mechanics,
some
energy
states
of
the
quantum
vacuum
obtained
by
the
so-‐
called
Casimir
effect
have
the
required
properties
to
produce
exotic
energy.
Of
course,
all
of
this
is
highly
speculative,
but
not
theoretically
impossible
–
even
if
the
amount
of
negative
energy
required
maintaining
the
wormhole
open
would
be
greater
than
the
3
total
energy
emitted
by
the
Sun
during
one
full
year...
Later,
other
types
of
traversable
wormholes
were
discovered
as
allowable
solutions
to
the
equations
of
general
relativity 7 .
Thus,
for
a
Hollywood
sci-‐fi
movie,
the
screenwriters
felt
free
to
imagine
that
a
very
advanced
civilization
could
construct
a
negative
wormhole
–
perhaps
by
growing
a
microscopic
negative
one,
as
permitted
by
quantum
mechanics
–,
and
use
it
effectively
as
a
space-‐time
shortcut.
Even
allowing
this
fantastic
idea,
there
is
nothing
telling
us
that
a
spaceship
(and
the
humans
inside),
made
of
normal
matter,
could
cross
the
negative
energy
region
safely.
Nevertheless,
the
theoretical
possibility
enabled
the
popular
American
astronomer-‐
writer
Carl
Sagan
to
construct
his
novel
Contact
(1985)
using
the
idea
of
communication
with
extra-‐terrestrial
civilizations
by
means
of
wormholes,
and
already
at
the
time
it
was
Kip
Torne
who
advised
Sagan
on
the
possibilities
of
wormholes.
For
Interstellar,
Thorne
went
beyond
and,
just
to
help
the
team
of
visual
effects,
tried
to
calculate
what
would
give
a
journey
through
an
artificially
created
wormhole.
Except
for
the
spherical
shape
of
the
wormhole,
which
can
be
appreciated
by
the
spectators
when
the
spaceship
approaches,
most
of
the
scientific
calculations
were
not
retained
by
the
filmmakers,
because
of
the
strange
effects
generated,
arguably
non
understandable
for
a
general
audience.
For
the
rest,
we
can
be
sure
that,
with
our
present-‐day
knowledge,
a
traversable
wormhole
is
not
only
very
improbable,
but
if
it
existed,
its
crossing
would
not
at
all
look
like
it
is
shown
in
the
movie
!
To
conclude
this
section,
it
is
to
be
noticed
that
scientific
visualizations
of
traversable
wormholes
had
already
been
calculated
in
2006
by
Alain
Riazuelo
at
the
Institut
d’Astrophysique
de
Paris,
and
the
result,
available
on
DVD8,
is
much
more
spectacular
than
the
artistic
rendering
shown
in
Interstellar.
THE
FAST-‐SPINNING
BLACK
HOLE
«
GARGANTUA
»
Once
on
the
other
side
of
the
wormhole,
the
spaceship
and
its
crew
emerge
into
a
three-‐planets
system
orbiting
around
a
supermassive
black
hole
called
Gargantua.
Supermassive
black
holes,
with
masses
going
from
one
million
to
several
billion
solar
masses,
are
suspected
to
lie
in
the
centers
of
most
of
the
galaxies.
Our
Milky
Way
probably
harbors
such
an
object,
Sagittarius
A*,
whose
mass
is
(indirectly)
measured
as
4
million
solar
masses
(for
a
review,
see
Melia9).
According
to
Thorne,
Gargantua
would
be
rather
similar
to
the
still
more
massive
black
hole
suspected
to
be
located
at
the
center
of
the
Andromeda
galaxy,
adding
up
100
million
solar
masses10.
Its
size
being
roughly
proportional
to
its
mass,
the
radius
of
such
a
giant
would
encompass
the
Earth’s
orbit
around
the
Sun.
Such
enormous
black
holes
are
not
a
science-‐fiction
exaggeration,
since
we
have
the
observational
clues
of
the
existence
of
«
Behemoth
»
black
holes
in
faraway
galaxies.
The
biggest
one
yet
detected
lies
in
the
galaxy
NGC
1277,
located
at
250
million
light-‐years
;
its
mass
could
be
as
large
as
17
billion
solar
masses,
and
its
size
would
encompass
the
orbit
of
Neptune11.
Another
–
and
very
important
–
characteristic
of
Gargantua
is
that
it
is
a
fast-‐spinning
black
hole.
All
the
objects
in
the
universe
–
except
the
universe
itself
–
rotate.
Thus
a
natural
black
hole
must
do
so,
and
be
described
by
the
Kerr
geometry.
The
latter
now
depends
on
two
parameters
:
the
black
hole
mass
M
and
its
angular
momentum
J.
An
important
difference
with
usual
stars,
which
are
in
differential
rotation,
is
that
the
Kerr
black
holes
are
rotating
with
perfect
rigidity
:
all
the
points
on
their
surface
(the
event
horizon)
move
with
the
same
angular
velocity.
There
is
however
a
critical
angular
4
momentum
Jmax
above
which
the
event
horizon
would
«
break
up
»
:
this
limit
corresponds
to
the
horizon
having
a
spin
velocity
equal
to
the
speed
of
light.
For
such
a
black
hole,
called
«
extremal
»,
the
gravitational
field
at
the
event
horizon
would
cancel,
because
the
inward
pull
of
gravity
would
be
compensated
by
the
huge
repulsive
centrifugal
forces.
It
is
quite
possible
that
most
of
the
black
holes
formed
in
the
real
universe
have
an
angular
momentum
rather
close
to
this
critical
limit.
For
instance,
a
typical
stellar
black
hole
of
3
solar
masses,
believed
to
be
the
engine
of
many
binary
X-‐ray
sources,
must
rotate
at
almost
5000
revolutions
per
second.
For
reasons
that
will
be
explained
later,
the
black
hole
Gargantua
shown
in
Interstellar
was
assumed
to
have
an
angular
momentum
as
close
as
10-‐10
to
the
critical
value
Jmax.
If
theoretically
possible,
this
configuration
is
physically
quite
unrealistic,
because
the
more
a
black
hole
rotates
fast,
the
more
the
material
orbiting
in
the
same
direction
is
hard
to
capture,
due
to
the
centrifugal
forces,
while
the
matter
orbiting
in
the
opposite
sense
is
easily
sucked
into
the
hole,
where
it
slows
the
spin.
As
a
consequence,
a
too-‐fast
spinning
black
hole
would
have
the
tendency
to
slow
down
to
an
equilibrium
velocity
smaller
than
that
of
Gargantua
(general
relativistic
calculations
say
that
black
holes
spin
no
faster
than
about
0.998
Jmax).
However,
the
advantage
of
a
very
fast-‐spinning
black
hole
is
that
it
permits
to
have
planets
orbiting
extremely
close
to
the
event
horizon
without
being
swallowed.
And
this
is
a
key
point
of
the
movie,
for
it
also
allows
for
a
huge
time
dilation,
see
below.
For
a
Schwarzschild
black
hole
(i.e.
with
angular
momentum
J=0),
the
innermost
stable
circular
orbit,
inside
which
any
object
would
spiral
and
crash
into
the
black
hole,
is
located
at
3
times
the
black
hole
radius.
For
a
100
million
solar
masses
black
hole,
this
gives
a
minimum
distance
of
900
million
kilometers
(a
little
bit
more
than
Jupiter’s
distance
to
the
Sun).
But
for
a
Kerr
black
hole
spinning
very
close
to
the
critical
limit
Jmax,
the
innermost
stable
circular
orbit
can
be
as
close
as
the
event
horizon
itself
:
100
million
kilometers
only.
It
is
the
reason
why,
in
Interstellar,
the
closest
planet
(called
Miller)
can
orbit
safely
very
close
to
the
event
horizon
without
being
swallowed.
Another
noticeable
point
is
that
a
Kerr
black
hole
is
not
a
spinning
top
revolving
in
a
fixed
exterior
space
:
as
it
rotates,
it
drags
the
entire
fabric
of
space-‐time
along
with
it.
As
a
consequence,
Miller’s
planet
must
orbit
at
a
velocity
close
to
the
speed
of
light.
ILLUMINATED
PLANETS
?
All
right
for
the
gravitational
safety
of
the
three-‐planets
system
around
Gargantua.
But
where
do
these
planets
get
heat
and
light?
In
principle
a
star
is
needed
for
that,
but
there
is
no
star
around.
Heat
cannot
come
from
the
black
hole
itself
in
the
form
of
the
Hawking
radiation
or
the
recently
advanced
«
firewall
»
phenomenon12
:
these
effects
being
purely
quantum
in
nature,
they
could
be
noticeable
for
microscopic
black
holes,
but
are
completely
negligible
for
astrophysical
ones.
Can
light
and
heat
come
from
the
gaseous
ring
that
orbits
around
Gargantua,
called
an
accretion
disk
?
Such
an
explanation
is
not
very
consistent
with
the
rest
of
the
story,
because
later
in
the
movie
Cooper
inevitably
has
to
go
inside
the
black
hole,
and
he
does
not
get
fried.
The
theory
of
accretion
disks
around
black
holes
was
actually
developed
decades
ago
(for
a
review,
see
Abramowicz13)
and
are
in
agreement
with
recent
astrophysical
measurements
using
gravitational
lensing14.
Because
of
the
incredible
forces
involved,
accretion
disks
are
extremely
hot,
like
millions
of
degrees
hot.
They
are
so
brilliant
that
they
can
be
seen
millions
of
light-‐years
away,
and
blast
out
enough
radiation
to
completely
destroy
any
5
normal
material.
Thus
the
astronauts
would
have
been
fried
as
soon
as
they
emerged
from
the
wormhole.
Happily
for
the
continuation
of
the
story,
it
was
not
the
case.
So,
how
the
planets
can
be
habitable
despite
no
nearby
source
of
warmth
?
In
his
popular
book
as
well
as
in
various
interviews,
Thorne
claimed
that
the
light
could
come
from
a
very
«
anemic
»
accretion
disk,
that
has
cooled
down
to
the
temperature
of
the
Sun
basically
(5500
°C).
Here
«
anemic
»
means
that
the
disk
has
not
been
fed
by
new
gas
(coming
for
instance
from
a
tidally
disrupted
star,
see
below)
in
the
last
million
years,
and
that
the
accretion
rate
onto
the
black
hole,
a
critical
parameter
on
which
depends
the
disk
luminosity,
is
extremely
low.
In
that
sense,
such
a
quiescent
accretion
disk
could
be
relatively
safe
for
humans.
But
I
doubt
that
it
could
provide
enough
light
and
heat
to
the
planet,
like
the
Sun
to
us,
just
because
an
anemic
accretion
disk
would
also
be
optically
thin
(i.e.
transparent),
while
the
Sun’s
photosphere
is
optically
thick
(i.e.
opaque).
VISUALISATION
OF
THE
ACCRETION
DISK
Since
a
black
hole
causes
extreme
deformations
of
spacetime,
it
also
creates
the
strongest
possible
deflections
of
light
rays
passing
in
its
vicinity,
and
gives
rise
to
spectacular
optical
illusions,
called
gravitational
lensing.
Interstellar
is
the
first
Hollywood
movie
to
attempt
depicting
a
black
hole
as
it
would
actually
be
seen
by
an
observer
nearby.
For
this,
the
team
at
Double
Negative
Visual
Effects,
in
collaboration
with
Kip
Thorne,
developed
a
numerical
code
to
solve
the
equations
of
light-‐ray
propagation
in
the
curved
spacetime
of
a
Kerr
black
hole.
It
allows
to
describe
gravitational
lensing
of
distant
stars
as
viewed
by
a
camera
near
the
event
horizon,
as
well
as
the
images
of
a
gazeous
acccretion
disk
orbiting
around
the
black
hole.
For
the
gravitational
lensing
of
background
stars,
the
best
simulations
ever
done
are
due
to
Alain
Riazuelo15,
at
the
Institut
d’Astrophysique
in
Paris,
who
calculated
the
silhouette
of
black
holes
that
spin
very
fast,
like
Gargantua,
in
front
of
a
celestial
background
comprising
several
thousands
of
stars.
But
perhaps
the
most
striking
image
of
the
film
Interstellar
is
the
one
showing
a
glowing
accretion
disk
which
spreads
above,
below
and
in
front
of
Gargantua.
Accretion
disks
have
been
detected
in
some
double-‐star
systems
that
emit
X-‐ray
radiation
(with
black
holes
of
a
few
solar
masses)
and
in
the
centers
of
numerous
galaxies
(with
black
holes
whose
mass
adds
up
to
between
one
million
and
several
billion
solar
masses).
Due
to
the
lack
of
spatial
resolution
(black
holes
are
very
far
away),
no
detailed
image
has
yet
been
taken
of
an
accretion
disk
;
but
the
hope
of
imaging
accretion
disks
around
black
holes
telescopically,
using
very
long
baseline
interferometry,
is
nearing
reality
today
via
the
Event
Horizon
Telescope16.
In
the
meanwhile,
we
can
use
the
computer
to
reconstruct
how
a
black
hole
surrounded
by
a
disk
of
gas
would
look.
The
images
must
experience
extraordinary
optical
deformations,
due
to
the
deflection
of
light
rays
produced
by
the
strong
curvature
of
the
space-‐time
in
the
vicinity
of
the
black
hole.
General
relativity
allows
the
calculation
of
such
an
effect.
In
1979
I
was
the
first
to
simulate
the
black
and
white
appearance
of
a
thin
accretion
disk
gravitationally
lensed
by
a
non-‐spinning
black
hole,
as
seen
from
far
away,
but
close
enough
to
resolve
the
image17.
I
took
a
Schwarzschild
black
hole
and
a
thin
disk
of
gas
viewed
from
the
side,
either
by
a
distant
observer
or
a
photographic
plate.
In
an
ordinary
situation,
meaning
in
Euclidean
space,
the
curvature
is
weak.
This
is
the
case
for
the
solar
system
when
one
observes
the
planet
Saturn
surrounded
by
its
magnificent
rings,
with
a
viewpoint
situated
slightly
above
the
plane.
Of
course,
some
part
of
the
6
rings
is
hidden
behind
the
planet,
but
one
can
mentally
reconstruct
their
elliptic
outlines
quite
easily.
Around
a
black
hole,
everything
behaves
differently,
because
of
the
optical
deformations
due
to
the
space-‐time
curvature.
Strikingly,
we
can
see
the
top
of
the
disk
in
its
totality,
whatever
the
angle
from
which
we
view
it
may
be.
The
back
part
of
the
disk
is
not
hidden
by
the
black
hole,
since
the
images
that
come
from
it
are
to
some
extent
enhanced
by
the
curvature,
and
reach
the
distant
observer.
Much
more
astonishing,
one
also
sees
a
part
of
the
bottom
of
the
gaseous
disk.
In
fact,
the
light
rays
which
normally
propagate
downwards,
in
a
direction
opposite
to
that
of
the
observer,
climb
back
to
the
top
and
furnish
a
«
secondary
image
»,
a
highly
deformed
picture
of
the
bottom
of
the
disk
(in
theory,
there
is
a
tertiary
image
which
gives
an
extremely
distorted
view
of
the
top
after
the
light
rays
have
completed
three
half-‐turns,
then
an
image
of
order
4
which
gives
a
view
of
the
bottom
which
is
even
more
squashed,
and
so
on
to
infinity).
Thus,
when
I
saw
for
the
first
time
the
image
of
the
accretion
disk
in
Interstellar,
I
was
not
surprised
to
see
the
disk
spreading
above,
below
and
in
front
of
Gargantua’s
silhouette.
The
visual
result
was
awesome,
and
the
team
at
Double
Negative
could
be
proud
of
that.
But
when
I
read
in
press
releases
that
this
image
was
the
first
and
the
more
realistic
image
of
a
black
hole
accretion
disk
ever
made,
I
was
puzzled,
because
basic
visual
effects
were
obviously
missing.
In
my
1979
simulation,
I
had
also
taken
into
account
the
physical
properties
of
the
gaseous
disk
:
rotation,
temperature
and
emissivity.
In
a
thin
accretion
disk,
the
intensity
of
radiation
emitted
from
a
given
point
on
the
disk
depends
on
its
distance
from
the
black
hole.
Therefore
the
brightness
of
the
disk
cannot
be
uniform,
as
suggested
in
Interstellar.
The
maximum
brilliance
comes
from
the
inner
regions
close
to
the
horizon,
because
it
is
there
that
the
gas
is
hottest.
In
addition,
the
apparent
luminosity
of
the
disk
is
still
very
different
from
its
intrinsic
luminosity
:
the
radiation
picked
up
at
a
great
distance
is
frequency-‐
and
intensity-‐shifted
with
respect
to
the
emitted
one.
There
are
two
sorts
of
shift
effects.
There
is
the
Einstein
effect,
in
which
the
gravitational
field
lowers
the
frequency
and
decreases
the
intensity.
And
there
is
the
better-‐known
Doppler
effect,
where
the
displacement
of
the
source
with
respect
to
the
observer
causes
amplification
as
the
source
approaches
and
attenuation
as
the
source
retreats.
In
this
case,
the
disk
rotating
around
the
black
hole
causes
the
Doppler
effect.
The
regions
of
the
disk
closest
to
the
black
hole
rotate
at
a
velocity
approaching
that
of
light,
so
that
the
Doppler
shift
is
considerable
and
drastically
modifies
the
image
as
seen
by
a
faraway
observer.
The
sense
of
rotation
of
the
disk
is
such
that
matter
recedes
from
the
observer
on,
say
the
right-‐hand
side
of
the
photograph,
and
approaches
on
the
left-‐
hand
side.
As
the
matter
recedes,
the
Doppler
deceleration
is
added
to
the
gravitational
deceleration,
implying
a
very
strong
attenuation
on
the
right-‐hand
side.
In
contrast,
on
the
left-‐hand
side
the
two
effects
tend
to
cancel
each
other
out,
so
the
image
more
or
less
retains
its
intrinsic
intensity.
In
any
case,
a
realistic
image
must
show
a
strong
asymmetry
of
the
disk’s
brightness,
so
that
one
side
is
far
brighter
and
the
other
is
far
dimmer.
To
describe
the
complete
image
I
obtained
(now
easily
available
on
the
internet18),
no
caption
could
fit
better
than
these
verses
by
the
French
poet
Gérard
de
Nerval,
written
as
soon
as
in
1854:
In
seeking
the
eye
of
God,
I
saw
nought
but
an
orbit
Vast,
black,
and
bottomless,
from
which
the
night
which
there
lives
Shines
on
the
world
and
continually
thickens
7
A
strange
rainbow
surrounds
this
somber
well,
Threshold
of
the
ancient
chaos
whose
offspring
is
shadow,
A
spiral
engulfing
Worlds
and
Days
!19
All
the
above-‐mentioned
effects
change
also
the
colors,
e.g.
from
blue
on
one
side
to
red
on
the
other,
and
so
on.
This
could
not
be
seen
on
my
black
and
white
(bolometric)
image,
but
my
pioneering
work
motivated
visualizations
of
accretion
disks
around
black
holes
with
ever
increasing
sophistication.
Especially,
Fukue
and
Yokoyama 20
added
colours
to
the
disk
;
Viergutz21
made
the
black
hole
spin
and
produced
coloured
images
including
the
disk’s
secondary
image
wrapping
under
the
black
hole;
Marck22
laid
the
foundations
for
a
nice
movie
available
on
the
web23,
with
the
camera
moving
around
close
to
the
disk,
and
included
higher
order
images.
Sophisticated
ray-‐tracing
codes
and
accretion
flow
models
have
been
developed
recently,
including
full
3D-‐simulations
of
accretion
flows
and
images
of
these,
see
for
instance
Chan
et
al.24
for
simulating
the
aspect
of
the
Galactic
black
hole
Sagittarius
A*.
Of
course
Kip
Thorne
did
not
ignore
these
effects.
But,
as
he
wrote
me
in
a
spontaneous
mail,
the
film
director
estimated
that
a
general
audience
would
have
been
totally
baffled
by
what
they
are
looking
at
;
so
a
conscious
decision
was
made
to
leave
out
the
Einstein
and
Doppler
shifts
as
well
as
the
physical
properties
of
the
disk,
and
have
an
accretion
disk
with
the
right
shape
but
not
the
right
lopsidedness.
As
an
additional
simplification,
they
have
also
chosen
to
apply
their
calculations
to
a
black
hole
smaller
than
Gargantua,
and
with
a
much
more
moderate
spin
–
otherwise
the
visual
effects
would
have
become
completely
weird
and
incomprehensible,
even
for
educated
physicists
!
However,
in
order
to
fully
exploit
their
ray-‐tracing
code,
in
parallel
to
the
movie
and
the
popular
nook
Thorne
and
the
team
at
Double
Negative
have
submitted
to
a
peer-‐review
a
technical
paper25
including
all
the
corrections.
TIDAL
STRESS
When
an
object
–
a
planet,
a
star
–
moves
around
a
black
hole,
the
forces
of
gravity
act
more
strongly
on
the
side
of
the
body
nearer
to
the
black
hole
than
on
the
other
side.
The
difference
between
the
two
forces
is
called
the
tidal
force.
If
the
celestial
body
moves
along
an
approximately
circular
orbit
at
a
reasonable
distance,
the
tidal
forces
remain
small
and
the
body
is
able
to
adjust
its
internal
configuration
to
the
external
forces,
adopting
an
elongated
shape
oriented
towards
the
hole.
However,
if
the
body
is
moving
along
an
eccentric
orbit,
as
the
distance
r
from
the
black
hole
decreases
the
tidal
forces
increase
rapidly
(like
r-‐3).
Eventually
there
comes
a
point
where
these
forces
are
as
large
as
the
forces
binding
the
body
together.
The
planet
or
the
star
have
no
longer
time
to
adjust
their
internal
configuration,
begin
to
deform
catastrophically
and
are
inevitably
disrupted.
This
happens
rather
frequently
in
the
universe.
In
the
1980’s,
I
worked
a
lot
on
the
process
of
disruption
of
full
stars
by
massive
black
holes26.
For
extreme
cases,
when
the
star
grazes
the
event
horizon
along
a
parabolic
orbit
without
being
swallowed,
I
predicted
the
occurrence
of
«
flambéed
stellar
pancakes
»,
releasing
a
lot
of
radiative
energy27.
Our
telescopes
have
since
captured
such
scenes.
However,
these
events
occur
only
when
the
body
gets
within
some
critical
radius
from
the
black
hole,
called
the
Roche
limit
–
after
the
French
mathematician
who
studied
the
problem
of
tidal
forces
in
1847
in
the
context
of
planets
and
their
satellites.
On
the
Internet,
some
bloggers
have
claimed
that
the
Miller’s
planet
should
be
8
completely
destroyed
by
tidal
forces,
since
it
is
so
close
to
the
black
hole’s
surface.
This
is
not
necessarily
so,
and
Interstellar
is
marginally
correct
on
this
point.
In
effect,
the
Roche
limit
depends
on
the
mass
of
the
black
hole
and
on
the
average
density
of
the
external
body
according
to
the
law
RR
~
(M/ρ*)1/3,
where
M
is
the
mass
of
the
black
hole
and
ρ*
the
density
of
the
body.
Applying
this
formula
to
the
case
of
Gargantua
(M
=
108
solar
masses)
and
a
water
planet
(ρ*
~1
g/cm3)
we
get
RR
~
1013
cm.
Now
the
gravitational
radius
of
the
Gargantua
black
hole,
GM/c2,
is
also
of
order
1013
cm.
Therefore
Miller’s
planet
must
suffer
large
tidal
forces,
but
not
enough
to
be
torn
apart
(for
black
holes
still
more
massive
than
108
solar
masses,
such
as
those
suspected
to
lie
in
the
centers
of
quasars,
the
Roche
limit
becomes
significantly
smaller
than
the
gravitational
radius,
and
in
that
case,
planets
or
stars
can
be
broken
up
by
the
tidal
forces
only
once
they
are
inside
the
black
hole).
Now,
in
the
movie,
once
the
explorers
have
«
landed
»
on
Miller’s
planet
-‐
a
water
one
-‐,
they
find
it
suffering
periodic
and
enormous
tidal
waves
sweeping
around.
These
are
unexplained,
but
we
can
assume
they
are
caused
by
the
tides
from
the
black
hole.
We
would
have
to
solve
some
equations
to
find
out
whether
such
kilometer
high
waves
are
physically
realistic.
These
equations
both
involve
laws
of
gravity
(if
their
origin
is
indeed
tidal)
and
hydrodynamics,
more
precisely
the
Navier-‐Stokes
theory.
From
the
film,
we
notice
that
the
wavelength
of
the
water
waves
is
much
greater
than
the
depth
of
the
water
itself
;
such
a
situation
is
ripe
for
the
«
shallow-‐water
»
approximation,
which
are
obtained
by
applying
the
Navier-‐Stokes
equations
to
such
a
problem.
Fluid
mechanics
textbooks
discuss
these
equations
at
length
;
they
are
coupled,
nonlinear
partial
differential
equations,
depending
on
various
parameters
such
as
the
surface
gravity
on
the
planet
g,
its
rotation
rate,
the
viscous
drag
forces,
and
so
on.
For
the
situation
in
Interstellar,
we
are
told
that
the
acceleration
due
to
gravity
on
the
planet
is
130%
that
of
Earth’s,
which
means
that
g
=
9.81
x
1.30
=
12.75
m/s2.
The
other
parameters
will
be
influenced
by
internal
forces
in
planet’s
structure,
combined
with
complex
external
effects
due
to
the
gravitational
field
of
the
rotating
black
hole.
There
are
too
many
uncertainties
on
the
knowledge
of
all
the
parameters
to
be
able
to
solve
numerically
the
equations.
Nevertheless,
I
suspect
some
inconsistency
in
the
film.
A
tidal
wave
is
actually
a
bulge
of
water
fixed
in
space,
always
oriented
in
the
same
configuration,
so
the
astronauts
on
the
planet
rotate
in
and
out
of
that
bulge.
They
feel
it
as
a
wave
coming
towards
them
and
away
from
them,
experiencing
from
a
high
tide
part
of
the
water
to
a
low
tide
part
of
the
water.
In
Interstellar,
the
waves
come
every
hour
or
so,
which
means
that
the
planet
rotates
once
ever
two
of
those
(because
there
are
two
high
tides
for
every
rotation).
The
problem
is
that
with
such
huge
tides,
the
planet
should
become
quickly
tidally
locked
with
the
black
hole
(i.e.,
like
the
Moon
to
the
Earth,
always
presenting
the
same
face
to
the
black
hole).
We
have
formulas
telling
how
fast
tidal
locking
occurs
in
binary
systems.
Using
a
108
solar
masses
black
hole
and
a
planet
with
a
surface
gravity
about
13
m/s2,
we
find
that
the
time
scale
for
tidal
locking
is
only
1
millisecond
!
Once
the
planet
is
tidally
locked
to
the
black
hole,
it
spins
only
once
per
revolution,
and
on
top
of
it
water
stays
in
place,
always
pulled
towards
the
black
hole.
A
HUGE
TIME
DILATION
The
elasticity
of
time
is
a
major
consequence
of
relativity
theory,
according
to
which
time
runs
differently
for
two
observers
with
a
relative
acceleration
–
or,
from
the
Equivalence
Principle,
moving
in
gravitational
fields
of
different
intensities.
This
well-‐
9
known
phenomenon,
checked
experimentally
to
high
accuracy,
is
called
«
time
dilation
».
Thus,
close
to
the
event
horizon
of
a
black
hole,
where
the
gravitational
field
is
huge,
time
dilation
is
also
huge,
because
the
clocks
will
be
strongly
slowed
down
compared
to
farther
clocks.
This
is
one
of
the
most
stunning
elements
of
the
scenario
of
Interstellar
:
on
the
water
planet
so
close
to
Gargantua,
it
is
claimed
that
1
hour
in
the
planet’s
reference
frame
corresponds
to
7
years
in
an
observer’s
reference
frame
far
from
the
black
hole
(for
instance
on
Earth).
This
corresponds
to
a
time
dilation
factor
of
60,000.
Although
the
time
dilation
tends
to
infinity
when
a
clock
tends
to
the
event
horizon
(this
is
precisely
why
no
signal
can
leave
it
to
reach
any
external
observer),
at
first
sight
a
time
dilation
as
large
as
60,000
seems
impossible
for
a
planet
orbiting
the
black
hole
on
a
stable
orbit.
As
explained
by
Thorne
in
his
popular
book,
such
a
large
time
dilation
was
a
«
non-‐negotiable
»
request
of
the
film
director,
for
the
needs
of
the
story.
Intuitively,
even
an
expert
in
general
relativity
would
estimate
impossible
to
reconcile
an
enormous
time
differential
with
a
planet
skimming
up
the
event
horizon
and
safely
enduring
the
correspondingly
enormous
gravitational
forces.
However
Thorne
did
a
few
hours
of
calculations
and
came
to
the
conclusion
that
in
fact
it
was
marginally
possible
(although
very
unlikely).
The
key
point
is
the
black
hole’s
spin.
A
rotating
black
hole,
described
by
the
Kerr
metric,
behaves
rather
differently
from
a
static
one,
described
by
the
Schwarzschild
metric.
The
time
dilation
equation
derived
from
the
Kerr
metric
takes
the
form:
1
–
(dτ/dt)2
=
2GMr/c2ρ2,
where
ρ2
=
r2
+
(J/Mc)2cos2θ.
Substituting
for
dτ
=
1
hour
and
dt
=
7
years,
one
obtains
the
following
relation:
1.334×10!!" 𝑀! 𝑟 3369802499
!" ! ! ! !
=
8.98755×10 𝑀 𝑟 + 𝐽 𝑐𝑜𝑠 𝜃 3369802500
This
equation
fully
describes
a
black
hole
of
mass
M,
rotating
with
angular
momentum
J,
as
observed
by
an
observer
at
radial
coordinate
r
and
angular
coordinate
θ.
The
fraction
on
the
right-‐hand-‐side
fully
depicts
the
1
hour
=
7
years
dilation
effect.
For
the
Schwarzschild
metric,
the
orbital
radius
should
be
no
smaller
than
3
times
the
gravitational
radius,
and
such
a
time
dilation
could
not
be
achieved
for
the
planet
of
the
film.
But
as
already
said,
the
Kerr
metric
allows
for
stable
orbits
much
closer
to
the
event
horizon.
Calculations
indicate
that
for
M
=
108
solar
masses,
we
get
r
=
1.48x1013
cm,
θ
=
π
and
J
=
8.80275x1057
J.s.
This
implies
a
black
hole
angular
momentum
J
extraordinarily
close
(at
10-‐10)
to
the
maximal
possible
value
Jmax,
a
circular
orbit
lying
in
the
equatorial
plane
and
a
radius
orbit
practically
equal
to
the
black
hole’s
gravitational
radius.
All
this
is
theoretically
possible,
but
by
no
ways
realistic.
A
CLEVER
USE
OF
THE
PENROSE
PROCESS
Another
effect
specific
to
the
physics
of
rotating
black
holes,
which
was
correctly
depicted
in
Interstellar,
is
the
Penrose
process.
The
astronauts
use
it
to
benefit
of
a
particularly
efficient
gravitational
assistance
(called
«
slingshot
effect
»),
which
allows
their
spaceship
to
plunge
very
close
to
the
event
horizon
and
escape
with
an
increased
energy.
In
effect,
the
laws
of
Kerr
black
hole
physics
say
that,
although
a
black
hole
prevents
any
radiation
or
matter
from
escaping,
it
can
give
up
a
part
of
its
rotational
energy
to
the
external
medium.
The
key
role
is
played
by
the
ergosphere,
a
region
between
the
event
horizon
and
the
static
limit
below
which,
like
in
a
maelstrom,
space-‐
time
itself
is
irresistibly
dragged
along
with
it
(the
so-‐called
«
Lense-‐Thirring
effect
»).
In
a
thought
experiment,
Roger
Penrose
suggested
in
1969
the
following
mechanism28.
A
10
projectile
disintegrates
into
the
ergosphere,
one
of
the
fragments
falls
into
the
event
horizon
in
a
direction
opposite
to
the
black
hole’s
rotation,
while
the
other
fragment
can
leave
and
be
recovered,
carrying
more
energy
than
the
initial
projectile.
Replace
the
projectiles
by
a
spaceship
which
leaves
a
part
of
it
to
fall
into
the
black
hole
along
a
carefully
chosen
retrograde
orbit,
and
le
tour
est
joué.
The
calculations
indicate
that
one
can
extract
an
energy
equivalent
to
the
rest-‐mass
energy
of
the
part
lost
into
the
black
hole,
which,
according
to
the
famous
formula
E=mc2
can
already
be
huge,
plus
an
additional
energy
extracted
from
the
spinning
black
hole,
which
has
been
slowed
down
by
the
infalling
fragment
in
a
retrograde
orbit.
For
a
black
hole
like
Gargantua,
rotating
at
almost
the
maximal
speed,
repeated
Penrose
processes
could
extract
29%
of
its
mass.
TIME
TRAVEL
INSIDE
GARGANTUA
In
the
last
part
of
the
film,
the
main
character,
Cooper,
plunges
into
Gargantua.
There,
beware
the
tidal
forces
breaking
anything
up
!
Indeed
in
the
Schwarzschild
geometry,
the
tidal
forces
become
infinite
as
r
-‐>
0
;
so,
even
for
a
supermassive
black
hole
like
Gargantua,
once
past
safely
the
event
horizon
and
approaching
the
central
singularity,
everything
will
be
ultimately
destroyed.
Happily
for
the
continuation
of
the
story,
Gargantua
has
a
high
spin,
and
its
lethal
singularity
has
the
shape
of
an
avoidable
ring.
Thus
the
space-‐time
structure
allows
Cooper
to
use
the
Kerr
black
hole
as
a
wormhole
;
he
avoids
the
ring
singularity
and
transports
to
another
region
of
space-‐time.
In
the
movie
he
ends
up
in
a
five-‐dimensional
universe,
in
which
he
will
be
able
to
go
backwards
in
time
and
communicate
with
his
daughter
by
means
of
gravitational
signals.
A
lot
of
research
has
been
done
on
whether
the
laws
of
physics
permit
travel
back
in
time
or
not.
Black
hole
physics
gives
interesting
results
but
no
firm
answers.
As
seen
above,
according
to
Penrose-‐Carter
diagrams
a
rotating
black
hole
could
connect
myriads
of
wormholes
to
different
parts
of
the
space-‐time
geometry.
Since
two
events
can
differ
in
time
as
well
as
in
space,
it
would
be
possible
to
pass
from
one
given
position
at
a
given
time,
along
a
carefully
chosen
trajectory,
through
a
wormhole,
and
arrive
at
the
same
position
but
at
a
different
time,
in
the
past
or
future.
In
other
words,
the
black
hole
could
be
a
sort
of
time
travel
machine.
Noneless
a
journey
back
through
time
is
an
affront
to
common
sense.
It
is
difficult
to
accept
that
a
man
could
travel
back
through
time
and
kill
his
grandfather
before
he
has
had
the
time
to
produce
children.
For
the
murderer
could
not
have
been
born,
and
could
not
have
murdered
him,
and
so
on…
Such
time
paradoxes
have
been
pleasantly
presented
in
the
celebrated
series
of
movies
Back
to
the
future.
A
journey
into
the
past
violates
the
law
of
causality,
which
requires
that
the
cause
always
precedes
the
effect.
However,
causality
is
a
rule
imposed
by
logic,
not
by
the
theory
of
relativity.
Causality
is
implicit
in
Special
Relativity,
where
there
is
no
gravitation.
Here,
travelling
into
the
past
requires
motion
faster
than
light,
and
is
absolutely
forbidden.
However
in
general
relativity,
the
universe
is
curved
by
gravitation,
and
the
space-‐time
geometry
can
be
distorted
–
by
a
wormhole
associated
to
a
rotating
black
hole,
for
example
–,
enabling
the
past
to
be
explored
without
having
to
go
faster
than
light.
Do
such
strange
time
warps
exist
in
the
Universe
?
Perhaps
yes
at
the
quantum
scale
–
i.e.
at
a
size
much
less
than
proton’s
radius
–,
due
to
the
quantum
fluctuations
of
space-‐
time.
If
microscopic
black
holes
were
created
soon
after
the
Big
Bang29,
the
laws
of
quantum
physics
would
govern
them,
microscopic
wormholes
would
also
be
created,
11
and
some
elementary
particles
could
furtively
take
these
transitory
tunnels
in
order
to
move
back
in
time.
It
is
not
theoretically
impossible
that
very
special
conditions
in
the
early
universe
lead
to
the
formation
of
mini-‐wormholes
that
have
grown
to
become
macroscopic
after
a
phase
of
primordial
inflation.
As
a
consequence,
some
supermassive
black
holes,
such
as
the
Gargantua
depicted
in
Interstellar,
could
be
fossil
giant
wormholes,
namely
open
gates
leading
to
other
regions
of
the
cosmos,
or
to
parallel
universes.
And
why
not
a
5-‐dimensional
universe
?
This
is
precisely
what
is
assumed
in
the
movie.
THE
FIFTH
DIMENSION
From
this
moment,
the
story
becomes
more
than
ever
speculative
–
as
much
as
the
new
theories
that
subtend
it.
The
standard
theory
of
gravity
–
general
relativity
–
describes
our
universe
as
geometry
of
three-‐dimensional
space
plus
one
dimension
of
time.
This
is
sometimes
called
3
+
1
space,
and
it
gives
a
very
accurate
description
of
the
universe
we
observe.
But
theorists
like
to
play
around
with
alternative
models
to
see
how
they
differ
from
regular
general
relativity.
They
may
look
at
2
+
1
space,
a
kind
of
«
flatland
»
with
time.
There
is
not
necessarily
anything
«
real
»
about
these
models,
and
there
is
not
any
experimental
evidence
to
support
anything
other
than
3
+
1
gravity.
But
alternative
models
are
useful
because
they
help
us
gain
a
deeper
understanding
of
gravity.
One
of
these
alternative
models
stems
from
the
so-‐called
brane
cosmologies30.
The
central
idea
of
brane
cosmologies
is
that
our
4-‐dimensional
universe
is
restricted
to
a
«
brane
»
inside
a
higher-‐dimensional
space,
called
the
«
bulk
»
(an
analogue
of
the
science-‐fiction
notion
of
«
hyperspace
»).
In
the
brane
models,
some
of
the
extra-‐
dimensions
are
possibly
infinite,
and
other
branes
can
be
moving
through
the
bulk.
Gravitational
interactions
with
the
bulk
can
influence
our
brane,
and
thus
introduce
effects
not
seen
in
standard
cosmological
models.
Lisa
Randall
and
Raman
Sundrum31
have
proposed
one
of
these
brane
cosmologies
at
the
end
of
the
1990’s.
There
are
two
different
versions
of
it,
but
both
assume
that
our
4-‐
dimensional
universe
is
a
brane
inside
a
5-‐dimensional
space-‐time,
the
bulk.
In
such
a
framework,
we
can
imagine
(although
very
unrealistically)
to
create
an
artificial
mini-‐
black
hole
and
mini-‐wormhole,
for
instance
in
a
powerful
particle
accelerator
such
as
the
CERN’s
Large
Hadron
Collider,
and
make
it
growing.
In
a
Randall-‐Sundrum
universe,
matter
and
light
cannot
propagate
in
the
fifth
dimension,
and
gravitational
waves
are
the
only
physical
entities
that
can
propagate
in
the
bulk.
It
is
exactly
what
is
suggested
in
the
movie.
The
screenwriters
have
imagined
a
very
advanced
civilization
born
into
the
bulk,
able
to
master
the
laws
of
gravity
to
create
wormholes
and
influence
our
usual
brane
by
means
of
gravitational
waves.
Since
we
learn
at
the
end
that
this
advanced
civilization
is
nothing
else
than
our
future
humanity,
we
realize
that
one
of
the
«
philosophical
»
issues
of
the
film
is
that
humanity
should
tend
to
understand
the
laws
of
quantum
gravity
and
master
the
new
physical
effects
involved
in
order
to
save
itself
!
THE
FINAL
EQUATION
At
the
very
end
of
the
film,
the
scientist’s
character
called
Murph
begins
to
write
an
equation
aimed
to
solve
the
problem
of
the
incompatibility
between
general
relativity
and
quantum
mechanics.
We
can
see
blackboards
covered
by
diagrams
and
equations
12
supposed
to
be
a
possible
way
to
the
«
ultimate
equation
»
of
a
so-‐called
«
Theory
Of
Everything
».
If
discovered
by
the
scientists,
it
would
eventually
help
to
solve
all
the
problems
of
humanity.
I
will
not
discuss
the
naivety
of
such
a
view,
but
briefly
discuss
the
question
whether
the
equations
on
the
screen
have
any
meaning.
At
first
sight
we
can
doubt
because
the
unification
of
general
relativity
and
quantum
mechanics
remains
unsolved
–
even
if
various
approaches,
such
as
the
loop
quantum
gravity32,
the
string
theory33
(of
which
the
Randall-‐Sundrum
model
referred
above
is
a
very
particular
solution)
or
the
non-‐commutative
geometry34,
are
intensively
explored
by
theoretical
physicists
all
around
the
world.
Clearly
the
Interstellar
filmmakers
have
bet
on
the
most
«
fashionable
»
attempt
for
unifying
all
fundamental
interactions
:
string
theory.
String
theory
stipulates
that
the
fundamental
constituents
of
matter
are
not
point-‐like
particles
but
open
or
closed
strings
on
the
scale
of
the
Planck
length
(10-‐33
cm),
whose
vibrational
modes
define
particle
properties.
In
this
framework,
space-‐time
becomes
a
derived
concept,
which
only
makes
sense
at
a
scale
larger
than
that
of
the
strings.
String
theory,
which
comes
in
five
different
varieties,
aroused
such
keen
interest
that
in
the
1990’s,
certain
theorists
believed
it
was
capable
of
giving
a
«
Theory
Of
Everything
».
However,
the
mathematical
difficulties
involved
are
formidable,
and
it
is
not
certain
that
they
will
be
resolved
in
the
future35.
The
five
different
string
theories
have
given
birth
to
a
larger
supposed
theory,
of
which
the
string
theories
would
only
be
limits
:
not
only
one-‐dimensional
lines
could
vibrate,
but
also
two-‐dimensional
surfaces
and
other
spaces
of
higher
dimension,
such
as
membranes
-‐
from
whence
the
name
M-‐theory
given
to
this
hypothesis.
Returning
to
the
ultimate
equation
briefly
seen
in
Interstellar
on
Murph’s
blackboard,
something
looking
like
𝑆 = −𝑔! 𝑑 ! 𝑥 ℒ!"#$ + ⋯ as
far
as
I
can
remember,
physicists
who
know
a
little
bit
of
string
theory
will
recognize
the
so-‐called
effective
action
of
M-‐
theory
in
the
lowest
approximation
of
its
perturbative
development.
In
simpler
terms,
it
gives
a
hint
of
what
would
like
the
«
ultimate
equation
»
of
physics
if
M-‐theory
was
the
correct
framework.
It
is
probably
not,
but
I
imagine
that
Kip
Thorne
made
a
clin
d’œil
to
string
theorists
to
mean
that,
in
his
opinion,
a
future
Theory
of
Everything
will
probably
be
similar
to
M-‐theory.
I
do
not
share
this
point
of
view,
but
it
is
rather
unexpected
to
find
such
a
sophisticated
message
in
a
Hollywood
movie.
The
g5
and
d5x
terms
mean
that
we
deal
with
a
theory
in
5
dimensions
:
1
for
time
and
4
for
space,
like
in
the
Randall-‐Sundrum
case.
In
a
4-‐dimensional
space
without
curvature,
the
analog
of
the
cube
is
called
an
hypercube
or
a
tesseract.
The
tesseract
is
to
the
cube
as
the
cube
is
to
the
square.
Just
as
the
surface
of
the
cube
consists
of
6
square
faces,
the
hypersurface
of
the
tesseract
consists
of
8
cubical
cells,
giving
a
visual
effect
which
has
been
excitingly
represented
in
Interstellar.
But
for
my
part,
from
an
artistic
point
of
view,
I
am
much
more
moved
by
the
Corpus
Hypercubus
painted
in
1954
by
Salvador
Dali.
The
Spanish
artist
depicted
the
cross
of
crucufixion
as
a
tesseract
to
signify
that,
just
as
God
could
exist
in
a
space
which
is
incomprehensible
to
the
humans,
the
hypercube
exists
in
four
space
dimensions
which
are
equally
inaccessible
to
ordinary
minds.
CONCLUSION
To
summarize,
the
movie
Interstellar
is
appealing
by
the
fact
that
it
tries
to
combine
a
great
story
(saving
humankind
by
interstellar
travel)
with
accurate
science,
more
or
less
realistic
depictions
of
general
relativistic
phenomena,
and
hazardous
extrapolations
about
new
physical
laws
that
could
stem
from
quantum
gravity
scenarios.
But
we
must
13
keep
in
mind
that
Interstellar
is
primarily
a
science-‐fiction
movie,
so
that
artistic
license
and
scientific
extrapolation
are
integrant
part
of
the
game.
The
main
interest
of
discussing
its
science
accuracy
is
thus
educational.
Hollywood
becoming
aware
of
science
and
trying
to
present
its
ideas
in
a
correct
way
is
good
news.
A
few
months
earlier
one
could
see
Gravity
and
its
impressive
show
of
a
hostile
and
weightlessness
space.
But
most
of
the
science
shown
in
Gravity
could
be
understood
in
the
framework
of
Newtonian
theory,
published
more
than
400
years
ago
and
assumed
to
be
well-‐known
of
everybody.
On
the
contrary,
most
of
the
phenomena
depicted
in
Interstellar
require
to
understand
the
basics
of
General
Relativity
–
the
theory
gravitation
due
to
Albert
Einstein
and
whose
centenarian
we
shall
celebrate
in
2015
–,
as
well
as
Quantum
Mechanics
and
even
a
little
bit
of
String
Theory
…
By
inviting
the
spectators
to
wonder
about
deep
questions
on
time,
space,
gravity
and
so
on,
Interstellar
can
drag
the
youngest
to
consider
careers
in
science
rather
than
in
finance
or
law.
It
is
completely
up
to
a
genre
called
in
French
«
le
merveilleux
scientifique
»,
that
is
the
adventure
of
a
science
pushed
to
the
marvel,
or
of
a
marvel
envisaged
scientifically.
1
K.
Thorne
:
The
Science
of
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Norton
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2014).
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1972),
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5
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:
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For
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is
J.-‐P.
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:
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de
l’univers,
trous
noirs
et
énergie
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Paris
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6
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M.
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Thorne,
K.
S.,
and
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trou
noir,
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:
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al.
:
HST
STIS
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of
the
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of
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Two
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in
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a
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Black
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631
(1):
280–300
(2005).
11
R.
van
den
Bosch
et
al.
:
An
over-‐massive
black
hole
in
the
compact
lenticular
galaxy
NGC
1277,
Nature
491,
729
(2012).
12
A.
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D.
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J.
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and
J.
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:
Black
holes:
complementarity
or
firewalls?
Journal
of
High
Energy
Physics
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(2).
13
M.
A.
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and
P.
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:
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16
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The
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673
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34
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A.
Riazuelo,
http://www2.iap.fr/users/riazuelo/interstellar
16
Event
Horizon
Telescope
Collaboration
website:
http://eventhorizontelescope.org
17
J-‐P.
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:
Image
of
a
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black
hole
with
thin
accretion
disk,
Astron.
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228
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18
J.-‐P.
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Free
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by
J.-‐P.
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20
J.
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and
T.
Yokoyama
:
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photographs
of
an
accretion
disk
around
a
black
hole,
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21
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:
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stationary
emitter-‐
observer
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272,
355
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22
J.-‐A.
Marck
:Short-‐cut
method
of
solution
of
geodesic
equations
for
Schwarzschild
black
hole,
Class.
Quantum
Grav.
13
393402
(1996).
See
also
Marck
J.-‐A.
and
Luminet
J.-‐P.
:
Plongeon
dans
un
trou
noir,
Pour
la
Science
Hors-‐Série
«
Les
trous
noirs
»
(July
1997)
50-‐56.
14
23
J.-‐A.
Marck
:
https://www.youtube.com/watch?v=5Oqop50ltrM.
Conversion
into
a
movie
first
appeared
in
the
documentary
Infinitely
Curved
by
L.
Delesalle,
M.
Lachièze-‐Rey
and
J.-‐P.
Luminet,
CNRS/Arte,
France,
1994.
24
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et
al.
(2014)
:
The
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of
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Constraining
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Plasma
Properties
of
GRMHD
Simulations
Using
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Observations
of
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[arXiv
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25
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von
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P.
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:
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in
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in
the
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Interstellar,
submitted
to
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and
Quantum
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(2014)
26
J.-‐P.
Luminet
&
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:
Dynamics
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61,
219-‐248
(1986)
27
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:
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28
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15