Gothic Architecture
Lecture 2
History of Architecture II
Introduction
The Gothic style – grew out of the Romanesque style
Originated in France during the middle of the 12th century
represents a clear break with the classical past .
Most famous structures are churches.
Gothic church
Romanesque - major religious centers were monasteries.
Gothic period cathedrals, the seats of local bishops, - great centers of
education and political power
Three Gothic periods -Early Gothic ,Late Gothic and High Gothic
Gothic
Romanesque
Architectural character
Gothic cathedrals – verticality, dynamic
Gothic cathedrals- urban centers
regular proportions and modular arrangements of repeated volumes
Skeletal structures
Amiens cathedral
Chartres Cathedral
Architectural character
The aesthetics of lines rather than masses
Ceremonial entrances in west fronts of the cathedrals
visual effect of soaring height - characteristic of the Gothic ..
Notre-dame cathedral west front Rheims Cathedral 1225 - 1290
Architectural character
more fenestration than Romanesque churches.
the emphases on geometry and light fuse to create an image of God’s house
Architectural character
•Pointed arches to permit larger windows,
•Ribbed vaults allowing the increased light to
•Flying buttresses penetrate
Basic features of gothic structure
Pointed Arch
can span varying distances
Its height not dictated by its width
Don’t have out ward trust
A sense of directionality than rounded
arch
Builders can go higher while using
more wall space for windows.
Ribbed vaults
stronger than barrel vault.
Less material to build.
Ribs articulate the line of groins.
Allows more openings
. The barrel vault -supported along
the ribbed vault can rest on a just few its entire length,
“springing points.
Flying buttresses
buttresses
Gothic church cross
sectional view
Tracery
integrated in to the design
The ornamental pattern-work in stone in the upper part of windows
Plate Tracery ; cut out of stones with special reference to shape of light
Bar tracery ;produced by the combination of geometrical figures
Rose Window
Stained Glass windows
The light admitted – the light Divine-the true
essence of God
Light is a visible manifestation of God’s presence:
you can see it and feel it, but you can’t touch it.
Gargoyles
A projecting water-spouts to throw of water from roof
Grotesquely curved
Grotesque ; real and fantastic figures are mixed
St. Denis Cathedral
• the supporting system of columns and arches was reduced in mass.
• The outer walls were opened up and filled with stained-glass windows.
Nave of St. Denis looking toward the choir
St. Denis Cathedral
The design unifies the radiating chapels and the ambulatory with a
single structural system unlike the Romanesque system of creating
discrete, compartmentalized spaces:
Saint Denis, Interior
St. Sernin St. Denis
At St. Denis, the radiating chapels are integrated into one open, flowing space rather
than defining individual spaces. This integration of the various spaces is followed
throughout the whole interior.
Chartres Cathedral(1194 – 1220)
a Latin-cross-plan church with a tall
longitudinal nave
a series of pointed pinnacles
capping the buttresses and the
transept corners
Pinnacles -to emphasize verticality
Chartres’ North tower
Chartres Cathedral
St. Etienne 1067-1120 Chartres 1194 - 1220
Chartres Cathedral(1194 – 1220)
Chartres Cathedral reveals a three-
story nave with an arcade of
compounded piers
The plan shows a fluid, unified space
Also, the choir and apse were
enlarged into a chevet ("sh vay") and
it is equal to, or larger in area than
the nave itself.
North Transept Rose Window
(early 13th c.)
The Rose window is 42’ in diameter. In
the center Mary and infant Christ are
enthroned. The surrounding panels all
number twelve:
1st set - four doves and eight angels
2nd set - squares - the twelve old
testament kings - precursors to Christ
3rd set - quatrefoils gold lilies on blue field
(the symbol of French kings)
4th set- (outer circle) - old testament
prophets Lancets
- St. Anne and baby Mary
- 2 old testament prophets
- King David & King Solomon
Small windows: royal coats of arms -
proclaiming the divine right to rule of the
French kings.
Detail of North Rose Window
Amiens Cathedral : 1236-1400
•The walls and towers of the west
façade are deeply pierced.
•Remaining surfaces are decorated
with a network of colonnettes,
arches, pinnacles, rosettes, and
other decorative stonework.
Amiens South transept and choir, note the elegant flying
buttresses,
View of the choir and its vaults.
The vaults are 144’ in height.