Tags: ia

The Recurring Cycle of ‘Developer Replacement’ Hype

Here’s what the “AI will replace developers” crowd fundamentally misunderstands: code is not an asset—it’s a liability. Every line must be maintained, debugged, secured, and eventually replaced. The real asset is the business capability that code enables.

If AI makes writing code faster and cheaper, it’s really making it easier to create liability. When you can generate liability at unprecedented speed, the ability to manage and minimize that liability strategically becomes exponentially more valuable.

This is particularly true because AI excels at local optimization but fails at global design. It can optimize individual functions but can’t determine whether a service should exist in the first place, or how it should interact with the broader system. When implementation speed increases dramatically, architectural mistakes get baked in before you realize they’re mistakes.

Stop saying that AI is just a tool and it only matters how it is used | Frank Elavsky

Must be something in the air.

One persistent piece of slopaganda you’ll hear is this:

“It’s just a tool. What matters is how you use it.”

This isn’t a new tack. The same justification has been applied to many technologies.

Leaving aside Kranzberg’s first law, large language models are the very antithesis of a neutral technology. They’re imbued with bias and political decisions at every level.

There’s the obvious problem of where the training data comes from. It’s stolen. Everyone knows this, but some people would rather pretend they don’t know how the sausage is made.

But if you set aside how the tool is made, it’s still just a tool, right? A building is still a building even if it’s built on stolen land.

Except with large language models, the training data is just the first step. After that you need to traumatise an underpaid workforce to remove the most horrifying content. Then you build an opaque black box that end-users have no control over.

Take temperature, for example. That’s the degree of probability a large language model uses for choosing the next token. Dial the temperature too low and the tool will parrot its training data too closely, making it a plagiarism machine. Dial the temperature too high and the tool generates what we kindly call “hallucinations”.

Either way, you have no control over that dial. Someone else is making that decision for you.

A large language model is as neutral as an AK-47.

I understand why people want to feel in control of the tools they’re using. I know why people will use large language models for some tasks—brainstorming, rubber ducking—but strictly avoid them for any outputs intended for human consumption.

You could even convince yourself that a large language model is like a bicycle for the mind. In truth, a large language model is more like one of those hover chairs on the spaceship in WALL·E.

Large language models don’t amplify your creativity and agency. Large language models stunt your creativity and rob you of agency.

When someone applies a large language model it is an example of tool use. But the large language model isn’t the tool.

Also sprach Wittgenstein:

Die Grenzen meiner Sprache bedeuten die Grenzen meiner Welt.

Or in English, thus spoke Wittgenstein:

The limits of my language mean the limits of my world.

Language and thinking are intertwined. I’m not saying there’s anything to the strong form of the Sapir-Whorf hypothesis but I think George Lakoff is onto something when he talks about political language.

There’s literal political language like saying “tax relief”—framing taxation as something burdensome that needs to be relieved. But our everyday language has plenty of framing devices that might subconsciously influence our thinking.

When it comes to technology, our framing of new technologies often comes from previous technologies. As a listener to a show, you might find yourself being encouraged to “tune in again next week” when you may never have turned a radio dial in your entire life.

In the early days of the web we used a lot of language from print. John Allsopp wrote about this in his classic article A Dao Of Web Design:

The web is a new medium, although it has emerged from the medium of printing, whose skills, design language and conventions strongly influence it. Yet it is often too shaped by that from which it sprang.

One outdated piece of language on the web is a framing device in two senses: “above the fold”. It’s a conceptual framing device that comes straight from print where newspapers were literally folded in half. It’s a literal framing device that puts the important content at the top of the page.

But there is no fold. We pretended that everyone’s screens were 640 by 480 pixels. Then we pretended that everyone’s screens were 800 by 600 pixels. But we never really knew. It was all a consensual hallucination. Even before mobile devices showed up there was never a single fold.

Even if you know that there’s no literal page fold on the web, using the phrase “above the fold” is still insidiously unhelpful.

So what’s the alternative? Well, James has what I think is an excellent framing:

The landing zone.

It’s the bit of the page where people first show up. It doesn’t have a defined boundary. The landing zone isn’t something separate to the rest of the page; the content landing zone merges into the rest of the content.

You don’t know where the landing zone ends, and that’s okay. It’s better than okay. It encourages you design in a way that still prioritises the most important content but without fooling yourself into thinking there’s some invisible boundary line.

Next time you’re discussing the design of a web page—whether it’s with a colleague or a client—try talking about the landing zone.

The history of album art || Matthew Ström, designer-leader

An enjoyable guided tour of album artwork starting at the beginning of the twentieth century.

Bias in Design Systems - bencallahan.com

Thoughtful analysis from Ben (as always).

But what if I really want a faster horse? | exotext

Overall, consistency, user control, and actual UX innovation are in decline. Everything is converging on TikTok—which is basically TV with infinite channels. You don’t control anything except the channel switch. It’s like Carcinisation, a form of convergent evolution where unrelated crustaceans all evolve into something vaguely crab-shaped.

My Web Values: Why I Quit X and Feed the Fediverse Instead | Cybercultural

1. Support open source software
2. Support open web platform technology
3. Distribution on the web should never be throttled
4. External links should be encouraged, not de-emphasized

Another uncalled-for blog post about the ethics of using AI | Clagnut by Richard Rutter

This is a really thoughtful piece by Rich, who’s got conflicted feelings about large language models in the design process. I suspect a lot of people can relate to this.

What I do know is that I find LLMs useful on occasion, but every time I use one I die a little inside.

I left Twitter in 2022. With every day that has passed since then, that decision has proven to be correct.

(I’m honestly shocked that some people I know still have active Twitter accounts. At this point there is no justification for giving your support to a place that’s literally run by a nazi.)

I also used to have some Twitter bots. There were Twitter accounts for my blog and for my links. A simple If-This-Then-That recipe would poll my RSS feeds and then post an update whenever there was a new item.

I had something something similar going for The Session. Its Twitter bot has been replaced with automated accounts on Mastodon and Bluesky (I couldn’t use IFTTT directly to post to Bluesky from RSS, but I was able to set up Buffer to do the job).

I figured The Session’s Twitter account would probably just stop working at some point, but it seems like it’s still going.

Hah! I spoke too soon. I just decided to check that URL and nothing is loading. Now, that may just be a temporary glitch because Alan Musk has decided to switch off a server or something. Or it might be that the account has been cancelled because of how I modified its output.

I’ve altered the IFTTT recipe so that whenever there’s a new item in an RSS feed, the update is posted to Twitter along with a message like “Please use Bluesky or Mastodon instead of Twitter” or “Please stop using Twitter/X”, or “Get off Twitter—please. It’s a cesspit” or “If you’re still on Twitter, you’re supporting a fascist.”

That’s a start but I need to think about how I can get the bot to do as much damage as possible before it’s destroyed.

Own what’s yours

Now, more than ever, it’s critical to own your data. Really own it. Like, on your hard drive and hosted on your website.

Is taking control of your content less convenient? Yeah–of course. That’s how we got in this mess to begin with. It can be a downright pain in the ass. But it’s your pain in the ass. And that’s the point.

The Tyranny of Now — The New Atlantis

I’m not a fan of Nicholas Carr and his moral panics, but this is an excellent dive into some historical media theory.

What Innis saw is that some media are particularly good at transporting information across space, while others are particularly good at transporting it through time. Some are space-biased while others are time-biased. Each medium’s temporal or spatial emphasis stems from its material qualities. Time-biased media tend to be heavy and durable. They last a long time, but they are not easy to move around. Think of a gravestone carved out of granite or marble. Its message can remain legible for centuries, but only those who visit the cemetery are able to read it. Space-biased media tend to be lightweight and portable. They’re easy to carry, but they decay or degrade quickly. Think of a newspaper printed on cheap, thin stock. It can be distributed in the morning to a large, widely dispersed readership, but by evening it’s in the trash.

Here Come the Lionfish – James Bridle

A terrific article by James.

6 CSS Snippets Every Front-End Developer Should Know In 2025 · 19 January 2025

• Springy easing with linear()
• Typed custom properties
• View transitions for page navigation
• Transition animation for dialog and popover
• Transition animation for details
• Animated adaptive gradient text

There are plenty of non-men in tech to speak at your conference - Stephanie Stimac’s Blog

I’m going to share this with the organisers of that conference I pulled out of recently.

When I was looking back at 2024, I mentioned that I didn’t give a single conference talk (though I did host three conferences—Patterns Day, CSS Day, and UX London).

I almost spoke at a conference though. I was all set to speak at an event in the Netherlands. But then the line-up was announced and I was kind of shocked at the lack of representation. The schedule was dominated by white dudes like me. There were just four women in a line-up of 30 speakers.

When I raised my concerns, I was told:

We did receive a lot of talks, but almost no women because there are almost no women in this kind of jobs.

Yikes! I withdrew my participation.

I wish I could say that it was one-off occurrence, but it just happened again.

I was looking forward to speaking at DevDays Europe. I’ve never been to Vilnius but I’ve heard it’s lovely.

Now, to be fair, I don’t think the line-up is finalised, but it’s not looking good.

Once again, I raised my concerns. I was told:

Unfortunately, we do not get a lot of applications from women and have to work with what we have.

Even though I knew I was just proving Brandolini’s law, I tried to point out the problems with that attitude (while also explaining that I’ve curated many confernce line-ups myself):

It’s not really conference curation if you rely purely on whoever happens to submit a proposal. Surely you must accept some responsibility for ensuring a good diverse line-up?

The response began with:

I agree that it’s important to address the lack of diversity.

…but then went on:

I just wanted to share that the developer field as a whole tends to be male-dominated, not just among speakers but also attendees.

At this point, I’m face-palming. I tried pointing out that there might just be a connection between the make-up of the attendees and the make-up of the speaker line-up. Heck, if I feel uncomfortable attending such a homogeneous conference, imagine what a woman developer would think!

Then they dropped the real clanger:

While we always aim for a diverse line-up, our main focus has been on ensuring high-quality presentations and providing the best experience for our audience.

Double-yikes! I tried to remain calm in my response. I asked them to stop and think about what they were implying. They’re literally setting up a dichotomy between having a diverse line-up and having a good line-up. Like it’s inconceivable you could have both. As though one must come at the expense of the other. Just think about the deeply embedded bias that would enable that kind of worldview.

Needless to say, I won’t be speaking at that event.

This is depressing. It feels like we’re backsliding to what conferences were like 15 years ago.

I can’t help but spot the commonalaties between the offending events. Both of them have multiple tracks. Both of them have a policy of not paying their speakers. Both of them seem to think that opening up a form for people to submit proposals counts as curation. It doesn’t.

Don’t get me wrong. Having a call for proposals is great …as long as it’s part of an overall curation strategy that actually values diversity.

You can submit a proposal to speak at FFconf, for example. But Remy doesn’t limit his options to what people submit. He puts a lot of work into creating a superb line-up that is always diverse, and always excellent.

By the way, you can also submit a proposal for UX London. I’ve had lots of submissions so far, but again, I’m not going to limit my pool of potential speakers to just the people who know about that application form. That would be a classic example of the streetlight effect:

The streetlight effect, or the drunkard’s search principle, is a type of observational bias that occurs when people only search for something where it is easiest to look.

It’s quite depressing to see this kind of minimal-viable conference curation result in such heavily skewed line-ups. Withdrawing from speaking at those events is literally the least I can do.

I’m with Karolina:

What I’m looking for: at least 40% of speakers have to be women speaking on the subject of their expertise instead of being invited to present for the sake of adjusting the conference quotas. I want to see people of colour too. In an ideal scenario, I’d like to see as many gender identities, ethnical backgrounds, ages and races as possible.

Century-Scale Storage

This magnificent piece by Maxwell Neely-Cohen—with some tasteful art-direction—is right up my alley!

This piece looks at a single question. If you, right now, had the goal of digitally storing something for 100 years, how should you even begin to think about making that happen? How should the bits in your stewardship be stored with such a target in mind? How do our methods and platforms look when considered under the harsh unknowns of a century? There are plenty of worthy related subjects and discourses that this piece does not touch at all. This is not a piece about the sheer volume of data we are creating each day, and how we might store all of it. Nor is it a piece about the extremely tough curatorial process of deciding what is and isn’t worth preserving and storing. It is about longevity, about the potential methods of preserving what we make for future generations, about how we make bits endure. If you had to store something for 100 years, how would you do it? That’s it.