Link tags: human

The Imperfectionist: Navigating by aliveness

Most obviously, aliveness is what generally feels absent from the written and visual outputs of ChatGPT and its ilk, even when they’re otherwise of high quality. I’m not claiming I couldn’t be fooled into thinking AI writing or art was made by a human (I’m sure I already have been); but that when I realise something’s AI, either because it’s blindingly obvious or when I find out, it no longer feels so alive to me. And that this change in my feelings about it isn’t irrelevant: that it means something.

More subtly, it feels like our own aliveness is what’s at stake when we’re urged to get better at prompting LLMs to provide the most useful responses. Maybe that’s a necessary modern skill; but still, the fact is that we’re being asked to think less like ourselves and more like our tools.

Beach daydreams, lost at sea (Interconnected)

Matt’s beach thoughts are like a satisfying susurrus in my RSS reader.

In the way

This sums up my experience of companies and products trying to inject AI in to the products I use to communicate with other people. It’s always just in the way, making stupid suggestions.

The Value Of Science by Richard P. Feynman [PDF]

This short essay by Richard Feynman is quite a dose of perspective on a Monday morning

Slop is Good • furbo.org

Trust.

Aboard Newsletter: Why So Bad, AI Ads?

The human desire to connect with others is very profound, and the desire of technology companies to interject themselves even more into that desire—either by communicating on behalf of humans, or by pretending to be human—works in the opposite direction. These technologies don’t seem to be encouraging connection as much as commoditizing it.

On being human and “creative”

Now we have this collision of those who, with the specific intent of creative expression, make things that are wholly the product of their unique experience and skills and offer them in the marketplace. Then there are those who use machines to produce derivatives of other’s creative work to offer as products in the marketplace. Both are seeking an audience and financial benefit for their offering.

Those who wholly manufacture creative works are asking the same value be put on their imitation of creative expression as the value inherent with sentient creation. They are saying they deserve the same recognition—be that in respect, attention, acknowledgement or compensation—that works created by a person might receive. But they haven’t earned it.

Using generative AI is to ask What If but then hand off not only the responsibility and effort of answering the question but also accountability for the answer. When the machine creates something pleasing or marketable, it’s “look at what I did”. When the machine creates something terrible or wrong, it’s “not my fault, the machine did it”. The claim of ownership is conditional and only maintained if the output can generate value.

There’s so much to love here, like this:

My art is the story of how I have spent the time in my life.

And this:

The value of an idea comes from the execution of the idea.

The Danger Of Superhuman AI Is Not What You Think - NOEMA

Once you have reduced the concept of human intelligence to what the markets will pay for, then suddenly, all it takes to build an intelligent machine — even a superhuman one — is to make something that generates economically valuable outputs at a rate and average quality that exceeds your own economic output. Anything else is irrelevant.

By describing as superhuman a thing that is entirely insensible and unthinking, an object without desire or hope but relentlessly productive and adaptable to its assigned economically valuable tasks, we implicitly erase or devalue the concept of a “human” and all that a human can do and strive to become. Of course, attempts to erase and devalue the most humane parts of our existence are nothing new; AI is just a new excuse to do it.

AI Safety for Fleshy Humans: a whirlwind tour

This is a terrificly entertaining level-headed in-depth explanation of AI safety. By the end of this year, all three parts will be published; right now the first part is ready for you to read and enjoy.

This 3-part series is your one-stop-shop to understand the core ideas of AI & AI Safety — explained in a friendly, accessible, and slightly opinionated way!

( Related phrases: AI Risk, AI X-Risk, AI Alignment, AI Ethics, AI Not-Kill-Everyone-ism. There is no consensus on what these phrases do & don’t mean, so I’m just using “AI Safety” as a catch-all.)

Manifesto for a Humane Web

I endorse this message.

This manifesto is intended as a personal response to the current state of the web. It is a statement of intent and a call to arms, inviting you, the reader, to go forth and build humane websites, and to resist the erosion of the web we know and love.

AI is not like you and me

AI is the most anthropomorphized technology in history, starting with the name—intelligence—and plenty of other words thrown around the field: learning, neural, vision, attention, bias, hallucination. These references only make sense to us because they are hallmarks of being human.

But ascribing human qualities to AI is not serving us well. Anthropomorphizing statistical models leads to confusion about what AI does well, what it does poorly, what form it should take, and our agency over all of the above.

There is something kind of pathological going on here. One of the most exciting advances in computer science ever achieved, with so many promising uses, and we can’t think beyond the most obvious, least useful application? What, because we want to see ourselves in this technology?

Meanwhile, we are under-investing in more precise, high-value applications of LLMs that treat generative A.I. models not as people but as tools.

Anthropomorphizing AI not only misleads, but suggests we are on equal footing with, even subservient to, this technology, and there’s nothing we can do about it.

The Analog Web - The History of the Web

Owning your own piece of the Internet (to borrow a recent phrase from Anil Dash) is itself a radical act. Linking to others at will is subversive all on its own. Or as Jeremy Keith once put it, “it sounds positively disruptive to even suggest that you should have your own website.” The web still exists for everyone. And beneath this increasingly desiccated surface, there is plenty of creators still simply creating.

People create these sites simply so that they exist. They are not fed to an algorithm, or informed by any trends. It is quieter and slower, meant to tether us to a more mechanical framework of the web.

This is the analog web.

“‘AI’ is pretty much just shorthand for mediocre” — Piper Haywood

Continuous partial ick …or perhaps continuous partial cringe.

Anyways, maybe we’ll eventually get to the point where AI has that human “spark”, who knows. Maybe it’ll happen next month and I’ll eat my words. Until then, as most of the content we experience online becomes more grey and sludgy, the personal will become far more valuable.

Can Apple Win Back Music | Vulf Opinion | Brad Frost

There’s no AI substitute for a human-produced drawing of someone on the subway, even if a similar-or-even-better result could be produced in seconds by AI. The artifact is often less important than the process — the human process — that made it. That’s why I suspect videos of creative processes are so attractive; we are captivated by seeing humans doing human things.

To Own the Future, Read Shakespeare | WIRED

I see what you nerds have done with AI image-creation software so far. Look at Midjourney’s “Best of” page. If you don’t know a lot about art but you know what you like, and what you like is large-breasted elf maidens, you are entering the best possible future.

Emily F. Gorcenski: How I Read 40 Books and Extinguished the World on Fire

I’ve found that there’s way more good people than bad. There’s way more people willing to help than willing to hurt. Some things are really scary but there’s way more people out there willing to guide us through the darkness than we think. The cynic in me wants to say that the “powers that be” want us to be endlessly doomscrolling and losing hope and snuffing out optimism. We shouldn’t give them what they want. There’s a lot of beauty in the world still within our grasp. We’re better when we’re poets, when we’re learners and listeners, when we’re builders and not breakers.

“Artificial Intelligence & Humanity,” an article by Dan Mall

AI is great anything quantity-related and bad and anything quality-related.

Sensible thinking from Dan here, that mirrors what we’re thinking at Clearleft.

In other words, it leans heavily on averages; the closer the training data matches an average, the higher degree of confidence that the result is more “correct,” or at least desirable.

The problem is that this is the polar opposite of what we consider creativity to be. Creativity isn’t about averages. It’s about the outliers, sometimes the one thing that’s different than all the rest.

The Technium: Dreams are the Default for Intelligence

I feel like there’s a connection here between what Kevin Kelly is describing and what I wrote about guessing (though I think he might be conflating consciousness with intelligence).

This, by the way, is also true of immersive “virtual reality” environments. Instead of trying to accurately recreate real-world places like meeting rooms, we should be leaning into the hallucinatory power of a technology that can generate dream-like situations where the pleasure comes from relinquishing control.

On the Link Between Great Thinking and Obsessive Walking ‹ Literary Hub

An excerpt from First Steps: How Upright Walking Made Us Human by Jeremy DeSilva.

Food Timeline: food history research service

The history of humanity in food and recipes.

The timeline of this website is equally impressive—it’s been going since 1999!